But this, and others, are just minor quibbles when presented with such a unique, massive, beautiful and enthralling piece of art.
Sinclair herself was born in New York in 1948 and raised in Paris, an heiress to Rosenberg's art fortune.
Most art history books cite Giotto as the first great painter of the Renaissance.
Word of Deitch's appointment in 2010 made big news in the art world.
If you are in the market to buy, “Your art budget is somewhere between your grocery budget and your savings budget,” he says.
If she could have set her imagination free in an art she would have been far safer than she was.
Not to admire, is all the art I know, To make men happy, and to keep them so.
So it is that everywhere the high function of art is to reveal.
This opinion is highly favourable to the artiste and the art.
This much, however, can be said about Japanese art—that it is original.
early 13c., "skill as a result of learning or practice," from Old French art (10c.), from Latin artem (nominative ars) "work of art; practical skill; a business, craft," from PIE *ar-ti- (cf. Sanskrit rtih "manner, mode;" Greek arti "just," artios "complete, suitable," artizein "to prepare;" Latin artus "joint;" Armenian arnam "make;" German art "manner, mode"), from root *ar- "fit together, join" (see arm (n.1)).
In Middle English usually with a sense of "skill in scholarship and learning" (c.1300), especially in the seven sciences, or liberal arts. This sense remains in Bachelor of Arts, etc. Meaning "human workmanship" (as opposed to nature) is from late 14c. Sense of "cunning and trickery" first attested c.1600. Meaning "skill in creative arts" is first recorded 1610s; especially of painting, sculpture, etc., from 1660s. Broader sense of the word remains in artless.
Fine arts, "those which appeal to the mind and the imagination" first recorded 1767. Expression art for art's sake (1824) translates French l'art pour l'art. First record of art critic is from 1847. Arts and crafts "decorative design and handcraft" first attested in the Arts and Crafts Exhibition Society, founded in London, 1888.
Supreme art is a traditional statement of certain heroic and religious truths, passed on from age to age, modified by individual genius, but never abandoned. The revolt of individualism came because the tradition had become degraded, or rather because a spurious copy had been accepted in its stead. [William Butler Yeats]
"produced with conscious artistry," as opposed to popular or folk, 1890, from art (n.), possibly from influence of German kunstlied "art song" (cf. art film, 1960; art rock, 1968).
Old English munuc "monk" (used also of women), from Proto-Germanic *muniko- (cf. Old Frisian munek, Middle Dutch monic, Old High German munih, Ger. Mönch), an early borrowing from Vulgar Latin *monicus (source of French moine, Spanish monje, Italian monaco), from Late Latin monachus "monk," originally "religious hermit," from Ecclesiastical Greek monakhos "monk," noun use of a classical Greek adjective meaning "solitary," from monos "alone" (see mono-). For substitution of -o- for -u-, see come.
In England, before the Reformation, the term was not applied to the members of the mendicant orders, who were always called friars. From the 16th c. to the 19th c., however, it was usual to speak of the friars as a class of monks. In recent times the distinction between the terms has been carefully observed by well-informed writers. In French and Ger. the equivalent of monk is applied equally to 'monks' and 'friars.' [OED]
Old English beon, beom, bion "be, exist, come to be, become, happen," from Proto-Germanic *biju- "I am, I will be." This "b-root" is from PIE root *bheue- "to be, exist, grow, come into being," and in addition to the words in English it yielded German present first and second person singular (bin, bist, from Old High German bim "I am," bist "thou art"), Latin perfective tenses of esse (fui "I was," etc.), Old Church Slavonic byti "be," Greek phu- "become," Old Irish bi'u "I am," Lithuanian bu'ti "to be," Russian byt' "to be," etc. It also is behind Sanskrit bhavah "becoming," bhavati "becomes, happens," bhumih "earth, world."
The modern verb to be in its entirety represents the merger of two once-distinct verbs, the "b-root" represented by be and the am/was verb, which was itself a conglomerate. Roger Lass ("Old English") describes the verb as "a collection of semantically related paradigm fragments," while Weekley calls it "an accidental conglomeration from the different Old English dial[ect]s." It is the most irregular verb in Modern English and the most common. Collective in all Germanic languages, it has eight different forms in Modern English:
BE (infinitive, subjunctive, imperative)
AM (present 1st person singular)
ARE (present 2nd person singular and all plural)
IS (present 3rd person singular)
WAS (past 1st and 3rd persons singular)
WERE (past 2nd person singular, all plural; subjunctive)
BEING (progressive & present participle; gerund)
BEEN (perfect participle).
The paradigm in Old English was:
|1st pres.||ic eom|
|2nd pres.||þu eart|
|3rd pres.||he is|
|1st pret.||ic wæs||we wæron|
|2nd pret.||þu wære||ge waeron|
|3rd pret.||heo wæs||hie wæron|
|1st pret. subj.||ic wære||we wæren|
|2nd pret. subj.||þu wære||ge wæren|
|3rd pret. subj.||Egcferð wære||hie wæren|
That but this blow Might be the be all, and the end all. ["Macbeth" I.vii.5]
The symbol for the element beryllium.
The symbol for beryllium.