I wanted to have very graphic aspects so the backdrop of the show was blocks of colour.
Soul Survivor, a Christian organization based out of the UK, filmed one of their ‘colour Chaos’ events with GoPros.
Heidi says: ‘I love it, particularly the colour — it’s a lot more glossy — and the new cut makes it look thicker.
Hottest bet of the day was the colour of her hat - royal blue, of course.
We are fighting for a society where people will cease thinking in terms of colour.
Miss Bennett started, and her colour grew a little brighter.
It was not so dark but that Tom could see the colour come into her face.
Evelina obeyed, and a slight spark of colour came into her cheeks.
They were about the shape and size of mackerel, but yellow and green in colour.
Black substances reflect a small quantity of white light, which receives the complementary of the colour contiguous to the black.
early 13c., "skin color, complexion," from Old French color "color, complexion, appearance" (Modern French couleur), from Latin color "color of the skin; color in general, hue; appearance," from Old Latin colos, originally "a covering" (akin to celare "to hide, conceal"), from PIE root *kel- "to cover, conceal" (see cell).
For sense evolution, cf. Sanskrit varnah "covering, color," related to vrnoti "covers," and also see chroma. Meaning "visible color, color of something" is attested in English from c.1300. As "color as a property of things," from late 14c. Old English words for "color" were hiw ("hue"), bleo.
color col·or (kŭl'ər)
That aspect of the appearance of objects and light sources that may be specified in terms of hue, lightness, and saturation.
That portion of the visible electromagnetic spectrum specified in terms of wavelength, luminosity, and purity.
The general appearance of the skin.
The skin pigmentation of a person not classified as white.
Our Living Language : When beams of colored light are mixed, or added, their wavelengths combine to form other colors. All spectral colors can be formed by mixing wavelengths corresponding to the additive primaries red, green, and blue. When two of the additive primaries are mixed in equal proportion, they form the complement of the third. Thus cyan (a mixture of green and blue) is the complement of red; magenta (a mixture of blue and red) is the complement of green; and yellow (a mixture of red and green) is the complement of blue. Mixing the three additive primaries in equal proportions reconstitutes white light. When light passes through a color filter, certain wavelengths are absorbed, or subtracted, while others are transmitted. The subtractive primaries cyan, magenta, and yellow can be combined using overlapping filters to form all other colors. When two of the subtractive primaries are combined in equal proportion, they form the additive primary whose wavelength they share. Thus overlapping filters of cyan (blue and green) and magenta (blue and red) filter out all wavelengths except blue; magenta (blue and red) and yellow (red and green) transmit only red; and yellow (red and green) and cyan (blue and green) transmit only green. Combining all three subtractive primaries in equal proportions filters out all wavelengths, producing black. Light striking a colored surface behaves similarly to light passing through a filter, with certain wavelengths being absorbed and others reflected. Pigments are combined to form different colors by a process of subtractive absorption of various wavelengths.
Interesting background, esp details about players, etc, as used in sports coverage •A scholar in the mid-1920s wrote of color stuff as the enlivening human interest and spicy, inventive language used by sports writers to avoid mere facts: doing color, spoke of a shot put up by one of the players by calling it ''a Perot hook'': in, out, and in/ I told him I need some color for a magazine piece I'm doing (1938+ Media)
(US "color") Colours are usually represented as RGB triples in a digital image because this corresponds most closely to the electronic signals needed to drive a CRT. Several equivalent systems ("colour models") exist, e.g. HSB. A colour image may be stored as three separate images, one for each of red, green, and blue, or each pixel may encode the colour using separate bit-fields for each colour component, or each pixel may store a logical colour number which is looked up in a hardware colour palette to find the colour to display.
Printers may use the CMYK or Pantone representations of colours as well as RGB.
The subject of colours holds an important place in the Scriptures. White occurs as the translation of various Hebrew words. It is applied to milk (Gen. 49:12), manna (Ex. 16:31), snow (Isa. 1:18), horses (Zech. 1:8), raiment (Eccl. 9:8). Another Hebrew word so rendered is applied to marble (Esther 1:6), and a cognate word to the lily (Cant. 2:16). A different term, meaning "dazzling," is applied to the countenance (Cant. 5:10). This colour was an emblem of purity and innocence (Mark 16:5; John 20:12; Rev. 19:8, 14), of joy (Eccl. 9:8), and also of victory (Zech. 6:3; Rev. 6:2). The hangings of the tabernacle court (Ex. 27:9; 38:9), the coats, mitres, bonnets, and breeches of the priests (Ex. 39:27,28), and the dress of the high priest on the day of Atonement (Lev. 16:4,32), were white. Black, applied to the hair (Lev. 13:31; Cant. 5:11), the complexion (Cant. 1:5), and to horses (Zech. 6:2,6). The word rendered "brown" in Gen. 30:32 (R.V., "black") means properly "scorched", i.e., the colour produced by the influence of the sun's rays. "Black" in Job 30:30 means dirty, blackened by sorrow and disease. The word is applied to a mourner's robes (Jer. 8:21; 14:2), to a clouded sky (1 Kings 18:45), to night (Micah 3:6; Jer. 4:28), and to a brook rendered turbid by melted snow (Job 6:16). It is used as symbolical of evil in Zech. 6:2, 6 and Rev. 6:5. It was the emblem of mourning, affliction, calamity (Jer. 14:2; Lam. 4:8; 5:10). Red, applied to blood (2 Kings 3;22), a heifer (Num. 19:2), pottage of lentils (Gen. 25:30), a horse (Zech. 1:8), wine (Prov. 23:31), the complexion (Gen. 25:25; Cant. 5:10). This colour is symbolical of bloodshed (Zech. 6:2; Rev. 6:4; 12:3). Purple, a colour obtained from the secretion of a species of shell-fish (the Murex trunculus) which was found in the Mediterranean, and particularly on the coasts of Phoenicia and Asia Minor. The colouring matter in each separate shell-fish amounted to only a single drop, and hence the great value of this dye. Robes of this colour were worn by kings (Judg. 8:26) and high officers (Esther 8:15). They were also worn by the wealthy and luxurious (Jer. 10:9; Ezek. 27:7; Luke 16:19; Rev. 17:4). With this colour was associated the idea of royalty and majesty (Judg. 8:26; Cant. 3:10; 7:5; Dan. 5:7, 16,29). Blue. This colour was also procured from a species of shell-fish, the chelzon of the Hebrews, and the Helix ianthina of modern naturalists. The tint was emblematic of the sky, the deep dark hue of the Eastern sky. This colour was used in the same way as purple. The ribbon and fringe of the Hebrew dress were of this colour (Num. 15:38). The loops of the curtains (Ex. 26:4), the lace of the high priest's breastplate, the robe of the ephod, and the lace on his mitre, were blue (Ex. 28:28, 31, 37). Scarlet, or Crimson. In Isa. 1:18 a Hebrew word is used which denotes the worm or grub whence this dye was procured. In Gen. 38:28,30, the word so rendered means "to shine," and expresses the brilliancy of the colour. The small parasitic insects from which this dye was obtained somewhat resembled the cochineal which is found in Eastern countries. It is called by naturalists Coccus ilics. The dye was procured from the female grub alone. The only natural object to which this colour is applied in Scripture is the lips, which are likened to a scarlet thread (Cant. 4:3). Scarlet robes were worn by the rich and luxurious (2 Sam. 1:24; Prov. 31:21; Jer. 4:30. Rev. 17:4). It was also the hue of the warrior's dress (Nah. 2:3; Isa. 9:5). The Phoenicians excelled in the art of dyeing this colour (2 Chr. 2:7). These four colours--white, purple, blue, and scarlet--were used in the textures of the tabernacle curtains (Ex. 26:1, 31, 36), and also in the high priest's ephod, girdle, and breastplate (Ex. 28:5, 6, 8, 15). Scarlet thread is mentioned in connection with the rites of cleansing the leper (Lev. 14:4, 6, 51) and of burning the red heifer (Num. 19:6). It was a crimson thread that Rahab was to bind on her window as a sign that she was to be saved alive (Josh. 2:18; 6:25) when the city of Jericho was taken. Vermilion, the red sulphuret of mercury, or cinnabar; a colour used for drawing the figures of idols on the walls of temples (Ezek. 23:14), or for decorating the walls and beams of houses (Jer. 22:14).