After a cadence ending on the tonic (B flat), and two coda-like bars, comes a fugal movement, still in the same key.
This is the best part of it—a fugal Gloria, ending with a pedal-point.
This latter example is not only a brilliant piece of fugal writing but a typical manifestation of American humor.
First one commencing with chords, after which, fugal imitation.
His counterpoint has a freedom and spontaneity not to be found in the music of the later contrapuntal, fugal, arithmetical school.
This is suddenly changed to the guise of a fugal theme, with new close, that starts a maze of disputation.
One cannot imagine such a history done in the strained phrases of Meredith or the fugal manner of Henry James.
Each one is answered by an eccentric phrase that had its origin in the first movement and is now extended to a fugal theme.
At length the sadness is overcome and there is a new animation as separate voices enter in fugal manner in the line of the march.
Next we have a fugal movement, like the preceding one, in common time; lastly, one in six-eight time.