The richly carved doors of the west front are the work of jean goujon.
The ancient house, No. 32, is said to have been the home of the architect, jean goujon.
The church is an interesting building of the 16th and 17th centuries, and has a portal attributed to jean goujon.
Odd, as he contemplated her advance, was reminded of the light poise of a jean goujon nymph.
This noble monument is one of those examples hesitatingly attributed to jean goujon.
The former possesses a remarkable sixteenth-century church, with a tower attributed, somewhat doubtfully, to jean goujon.
The perfection of this sculpture causes it to be attributed to the celebrated jean goujon.
The ornamental portions are said to have been sculptured from designs furnished by jean goujon.
The gallery sculptures are very fine, and the upper tier is much in the style of jean goujon.
Again, Artemis appears more thoughtful, as in the sculpture of jean goujon, touched with the sadness of moonlight.
