He says he is aware of no Pisano tiling which can be dated from as late as the second half of the seventeenth century.
Donatello executed marvellous studies of character, and Pisano medals such as have never been seen 116 before or since.
In this Pisano gave promise of becoming, as he did, an excellent painter.
There was one little boy, especially, who loved old Pisano, and whom old Pisano loved more than anybody else in the world.
Unless a strong similarity between it and Pisano's pulpits can be proved, their hypothesis carries with it no persuasion.
From this it is evident that the exuberance of Pisano's youth had yet to learn the reticence which comes with age.
Augusta, indeed, is termed in the Archives of the Alczar “master of making tiles in the Pisano manner” (del Pisano).
At all events, it was Pisano who broadly launched the art of the Sevillian potters on the stream of the Renaissance.
The portrait of Pisano I have not been able to find in any place whatsoever.
Both these masterpieces were executed in the year 1504, and bear Pisano's signature.