The difference resulting from the kind of medium employed is well exemplified by Rossetti's "Blessed Damozel."
No one was more conscious of the treachery of letters than was Rossetti himself.
Coleridge was an omnivorous general reader: Rossetti was eclectic rather than desultory.
The picture of Rossetti that now exists in the public mind is the true one.
His talk was one of his recommendations to both Rossetti and Whistler.
“You are now going to be introduced to my fellow partner,” Rossetti said.
Johnstone had not much medival sense, and was sparing in his appreciation of Rossetti, to whom he became unjust.
Rossetti's carelessness, to do him justice, is only in water-colour, never in oil.
He has the opportunity of Rossetti, the opportunity for significant art.
Men who know, know that Rossetti had not changed his mind—he had only changed his mood.