But at some point she fails to suppress the soundtrack in her head.
The power ballad “Unconditionally” is tailor-made to soundtrack a Nicholas Sparks movie.
I always felt the soundtrack was an underachievement, and the first one just scratched the surface.
I wrote my first book listening to the soundtrack to the movie Conan the Barbarian on a loop.
Brian Eno was the first one invited to do the soundtrack; after all, the film was intended as an homage to Andy Warhol.
Indeed his soundtrack came—in part—from his central scenic prop: a small pipe organ.
Against a soundtrack of depressing spinster ballads from Natalie Merchant and Tori Amos, the images flooded the room.
Maybe the era Michael represented, the apex of American power he sang the soundtrack for, ends here as well.
A soundtrack in film is something that makes it spring to life and tells the audience things without actually saying anything.
They lipsynch the soundtrack, cadge souvenirs and pester you with smarmy, show-off questions.