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Bergman

[ burg-muhn ]

noun

  1. Ing·mar [ing, -mahr], 1918–2007, Swedish motion-picture director and writer.
  2. Ingrid, 1915–82, Swedish film actress.


Bergman

/ ˈbɜːɡmən /

noun

  1. BergmanErnst) Ingmar19182007MSwedishFILMS AND TV: directorTHEATRE: stage director ( Ernst ) Ingmar (ˈiŋmar). 1918–2007, Swedish film and stage director, whose films include The Seventh Seal (1956), Wild Strawberries (1957), Persona (1966), Scenes from a Marriage (1974), Autumn Sonata (1978), and Fanny and Alexander (1982)
  2. BergmanIngrid19151982FSwedishTHEATRE: actress Ingrid . 1915–82, Swedish film and stage actress, working in Hollywood 1938–48; noted for her leading roles in many films, including Casablanca (1942), For Whom the Bell Tolls (1943), Anastasia (1956), and The Inn of the Sixth Happiness (1958)


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Example Sentences

It’s a clever, if unsubtle, way of introducing what constitutes a loosely gender-swapped version of Bergman’s Scenes.

From Time

Yet the minimal backdrops throw the performances—especially that of Ullman, whose life-altering relationship with Bergman helped inspire the project—into relief.

From Time

Bergman and colleagues suspect that the suction power of froghoppers and other xylem sap specialists may be unmatched among animals.

After completing its vocal performance, the penguin looked at Bergman and waited for a reply.

“My dad was sick so I was trying hard to stay Covid-safe and I wasn’t living with people who agreed with me on that,” Bergman said.

From Digiday

One afternoon we were watching Ingmar Bergman's Autumn Sonata.

In 1945 or 1946, Hitch and Alma were in New York with Cary Grant and Ingrid Bergman, on a publicity tour.

Today, with the memories of Ingrid Bergman so vivid in his mind, it seems clear that he's been thinking about her a great deal.

Hitchcock and Ingrid Bergman spoke on the phone occasionally.

At the end of the ceremony applauding him, Bergman walked to his table to embrace Hitchcock.

His glory, however bright, has not rendered Europe blind to the merits of Scheele and Bergman.

The first act opens with a conversation between Frau Bergman and her daughter Wendla.

Bergman worked in the same direction; while Rouelle was attracted to the study of animal chemistry.

I got wet from head to foot fooling in the water, and when I got to Bergman's I took a chill.

The first thing I knew I was pulled out of bed on to the floor, by Mr. Bergman, who yelled, 'the dam has burst.'

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Bergius processBergman, Ingmar