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linear perspective

American  

noun

  1. a mathematical system for representing three-dimensional objects and space on a two-dimensional surface by means of intersecting lines that are drawn vertically and horizontally and that radiate from one point one-point perspective, two points two-point perspective, or several points on a horizon line as perceived by a viewer imagined in an arbitrarily fixed position.


linear perspective British  

noun

  1. the branch of perspective in which the apparent size and shape of objects and their position with respect to foreground and background are established by actual or suggested lines converging on the horizon

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of linear perspective

First recorded in 1835–45

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

They furnished avenging angels with modern rifles and Incan textiles, crowned Madonnas with ostrich feathers and flattened linear perspective to produce intensely colored, swirling visions of a cosmos in crisis.

From New York Times Aug. 25, 2022

Avery composed with large areas of flat color, creating depth with color contrasts and harmonies instead of shifts in scale and linear perspective.

From Washington Post Mar. 16, 2022

Here, Brunelleschi was unquestionably influenced by a medieval Arab thinker, Ibn al-Haytham, whose Book of Optics laid out theories of light and sight perception that described linear perspective.

From Textbooks Jan. 1, 2020

By the sixteenth century, “Renaissance art” was universal in Western Europe, with artists everywhere benefiting from the use of linear perspective, evocative and realistic portraiture, and the other artistic techniques first developed in Italy.

From Textbooks Jan. 1, 2020

In the meantime, he had studied architecture and aerial and linear perspective, and had made innumerable pen and pencil drawings from nature.

From Artists Past and Present Random Studies by Elisabeth Luther Cary

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