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del

1

[del]

  1. (in names of Spanish derivation) a contraction of de and the article el:

    Estanislao del Campo.

  2. (in names of Italian derivation) a contraction of di and the article il: Giovanni del Monte.



del

2

[del]

noun

Mathematics.
  1. a differential operator. ∇

del.

3

abbreviation

  1. delegate; delegation.

  2. delete; deletion.

  3. delineavit.

Del.

4

abbreviation

  1. Delaware.

Del.

1

abbreviation

  1. Delaware

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

del.

2

abbreviation

  1. delegate

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

del

3

/ dɛl /

noun

  1. Also called: nablamaths the differential operator i (∂/∂ x ) + j (∂/∂ y ) + k (∂/∂ z ), where i , j , and k are unit vectors in the x , y , and z directions

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Word History and Origins

Origin of del1

First recorded in 1900–05; short form of delta
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Guillermo del Toro renders this with a small sunlit vision: a hulking figure perched on a rooftop, savoring a loaf left out for the spirit the villagers imagine him to be.

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Del Toro’s “Frankenstein” isn’t a food movie by any stretch, but the moments that lodged themselves in my memory all involved nourishment — offered, stolen, shared, withheld.

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This is when del Toro shows him perched on their rooftop, legs splayed, face tipped toward the sun as he bites into one of those loaves.“And for a moment — a brief, brief moment — the world and I were at peace.”

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And again, del Toro reaches for food as the bridge.

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What lingers, though — in both del Toro’s film and Shelley’s original — are the small, luminous moments where food becomes something more than sustenance.

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de Kruifde la Beche