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early music

American  

noun

  1. music of the medieval, Renaissance, and early Baroque periods, especially revived and played on period instruments; European music after ancient music and before the classical music era, from the beginning of the Middle Ages to about 1750.


early music British  

noun

  1. music of the Middle Ages and Renaissance, sometimes also including music of the baroque and early classical periods

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

  1. of or denoting an approach to musical performance emphasizing the use of period instruments and historically researched scores and playing techniques

    the early-music movement

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms


Etymology

Origin of early music

First recorded in 1885–90


Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Several of its early music videos, including popular tracks like “Dead Flowers” and “Someone to Hate,” have garnered millions of views on YouTube.

From Los Angeles Times ● Aug. 20, 2026

Spears had phenomenal early music success in the late 1990s with hits like "...Baby One More Time" but has largely stepped back from music in recent years.

From Barron's ● Apr. 30, 2026

There’s bits and pieces of my early music that are all over this album.

From Los Angeles Times ● Mar. 25, 2026

Spears had phenomenal early music success with late 1990s hits like "...Baby One More Time" but has largely stepped back from music in recent years.

From Barron's ● Mar. 5, 2026

Kassia’s haunting music has recendy been recorded for the first time in a thousand years, and it rather gracefully refutes the assumption that the development of early music is exclusively the handiwork of men.

From "The Story of Music" by Howard Goodall

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