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entr'acte

American  
[ahn-trakt, ahn-trakt, ahn-trakt] / ɑnˈtrækt, ˈɑn trækt, ɑ̃ˈtrakt /

noun

  • entr'actes
    plural
  1. the interval between two consecutive acts of a theatrical or operatic performance.

  2. a performance, as of music or dancing, given during such an interval.

  3. a piece of music or the like for such performance.


entr'acte British  
/ ɒnˈtrækt, ɑ̃trakt /

noun

  1. an interval between two acts of a play or opera

  2. (esp formerly) an entertainment during an interval, such as dancing between acts of an opera

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

Noun Inflected Forms

Etymology

Origin of entr'acte

First recorded in 1740–50; from French, equivalent to entre “between” (from Latin inter ) + acte “one of the main divisions of a play or opera”; see act

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Saturday night at Fred Kavli Theatre, Christie began with kazoos, brought in the Marcus Roberts Trio to spice up Gershwin’s Concerto in F, and turned intermission into an imaginative entr’acte.

From Los Angeles Times ● Oct. 8, 2019

Just as it mattered to Soderbergh when he made the nearly five-hour biopic “Che,” which he exhibited roadshow-style, complete with old-fashioned overture and entr’acte.

From Washington Post ● Mar. 7, 2019

The film breaks for an intermission and grandiose entr'acte music.

From The Guardian ● May 24, 2013

Preshow and entr’acte piano-playing of period tunes like “Let Me Call You Sweetheart,” whose misty-eyed lyrics are found inside the program, allow audience members to sing along.

From New York Times ● May 13, 2013

The second entr'acte is performed after the rising of the curtain.

From Stars of the Opera by Mabel Wagnalls

That includes two songs for Egmont’s love, Klärchen, four entr’actes, a melodrama for Egmont as he approaches his execution and, powerfully as only Beethoven can, a battle cry.

From Los Angeles Times ● Feb. 19, 2026

There are a couple of entr’actes in which the clown, teased by his former supervisor, inclines toward the Grinchy.

From New York Times ● Nov. 27, 2024

His position-paper entr’actes can be awkward and artless, much like the author himself.

From New York Times ● Nov. 13, 2017

Noh is essentially the inspiration for the two-person entr’actes, called knee plays, in “Einstein on the Beach.”

From Los Angeles Times ● Nov. 11, 2016

Ordinarily that little retiro was filled during the entr'actes with financiers and journalists.

From The Nabob, Vol. 2 (of 2) by George Burnham Ives

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