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gesso

American  
[jes-oh] / ˈdʒɛs oʊ /

noun

plural

gessoes
  1. gypsum or plaster of Paris prepared with glue for use as a surface for painting.

  2. any plasterlike preparation to prepare a surface for painting, gilding, etc.

  3. a prepared surface of plaster or plasterlike material for painting, gilding, etc.


gesso British  
/ ˈdʒɛsəʊ /

noun

  1. a white ground of plaster and size, used esp in the Middle Ages and Renaissance to prepare panels or canvas for painting or gilding

  2. any white substance, esp plaster of Paris, that forms a ground when mixed with water

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of gesso

1590–1600; < Italian < Latin gypsum gypsum

Explanation

Gesso is a substance similar to white paint that artists use to prepare a surface for painting. Gesso is typically made of glue, chalk, and white pigment. Before you paint a portrait on a square of canvas or a piece of wood, you may want to coat your painting surface with gesso. After it dries, gesso creates an even base that holds paint well — similar to the primer house painters use before applying paint. Gesso means "chalk" or "plaster" in Italian, from the Latin gypsum, also "plaster," and the Greek root gypsos, "chalk."

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Vocabulary lists containing gesso

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Strawberry syrup and banana skin preserved in gesso offer bright, sticky-sweet contrast in some shadows.

From Los Angeles Times • Sep. 7, 2023

Today, painters most often use an acrylic polymer known as gesso, but 200 years ago, artists turned to a motley variety of substances.

From Science Magazine • May 23, 2023

Johnathan Payne’s modest lattices are made of shredded paper and gesso and then stitched together in sections like a quilt.

From New York Times • Feb. 24, 2021

Using graduated saturations of ink-wash over gesso, Simpson builds landscapes and seascapes that recall J. M. W. Turner or Chinese shan shui compositions.

From The New Yorker • May 14, 2019

We spent months experimenting with the methods the old masters used to create real gesso.

From "Salt to the Sea" by Ruta Sepetys

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