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polyphonic

American  
[pol-ee-fon-ik] / ˌpɒl iˈfɒn ɪk /

adjective

  1. consisting of many voices or sounds.

  2. Music.

    1. having two or more voices or parts, each with an independent melody, but all harmonizing; contrapuntal (opposed to homophonic).

    2. pertaining to music of this kind.

    3. capable of producing more than one tone at a time, as an organ or a harp.

  3. Phonetics. having more than one phonetic value, as the letter s, that is voiced (z) in nose and unvoiced (s) in salt.


polyphonic British  
/ ˌpɒlɪˈfɒnɪk /

adjective

  1. music composed of relatively independent melodic lines or parts; contrapuntal

  2. many-voiced

  3. phonetics of, relating to, or denoting a polyphone

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

Etymology

Origin of polyphonic

First recorded in 1775–85; polyphone + -ic

Vocabulary lists containing polyphonic

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Beyond this solemn, reverent prologue, the show opens into expansive galleries, richly packed and drawing viewers deeper into Noguchi’s polyphonic universe.

From The Wall Street Journal Jul. 1, 2026

The sophomore novel marked the arrival of an intuitive stylist gifted at polyphonic prose.

From Los Angeles Times Apr. 13, 2026

The film moves between the two in a sweeping, polyphonic narrative blending performances by professional and amateur actors, portraying a multifaceted Franco-African community refreshingly free from stereotypes.

From Barron's Feb. 16, 2026

Its sensibility was shaped by a CD Mattingly grew up with that featured the Tahitian Choir: “this glorious, polyphonic, joyous sound,” he said, “that’s moving around itself and congealing and drifting apart.”

From New York Times May 15, 2023

He simply carried on where Dufay left off, thickening and embellishing the polyphonic choral style that you would have heard almost anywhere across Europe in the later fifteenth century.

From "The Story of Music" by Howard Goodall

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