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Rabelaisian

American  
[rab-uh-ley-zee-uhn, -zhuhn] / ˌræb əˈleɪ zi ən, -ʒən /

adjective

  1. of, relating to, or suggesting François Rabelais, whose work is characterized by broad, coarse humor and keen satire.


noun

  1. a person who admires or studies the works of Rabelais.

Rabelaisian British  
/ ˌræbəˈleɪzɪən, -ʒən /

adjective

  1. of, relating to, or resembling the work of Rabelais, esp by broad, often bawdy humour and sharp satire

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

noun

  1. a student or admirer of Rabelais

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

Etymology

Origin of Rabelaisian

First recorded in 1855–60; Rabelais + -ian

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Experts believe the New Orleans carnival season, an international tourist destination that culminated in the Rabelaisian Mardi Gras on Feb. 25, may have served as a kind of petri dish to spread the virus.

From Washington Times ● Mar. 22, 2020

“The community of artists that formed here, that generation ... it was Rabelaisian, it was anarchic, almost. And Don was the master of this. His influence was enormous.”

From Los Angeles Times ● Aug. 5, 2019

It’s a teeming, Rabelaisian sprawl, but from the moment Raskolnikov leaves his garret and sets off towards the Kokushkin Bridge it grabs the reader by the lapels.

From The Guardian ● Apr. 28, 2018

D. Keith Mano, whose teeming, rollicking novels explored the problems and passions of Christianity in the modern world, to remarkable effect in the capacious, Rabelaisian black comedy “Take Five,” died on Wednesday in Manhattan.

From New York Times ● Sep. 19, 2016

Hearing Joshua give Rabelaisian nonstop talks of three to five hours made it all too clear that he was an enfant terrible.

From "Double Helix" by James D. Watson

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