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samisen

American  
[sam-uh-sen] / ˈsæm əˌsɛn /

noun

  1. a guitarlike Japanese musical instrument having an extremely long neck and three strings, played with a plectrum.


samisen British  
/ ˈsæmɪˌsɛn /

noun

  1. a variant of shamisen

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of samisen

1610–20; < Japanese < Middle Chinese, equivalent to Chinese sānxia three-string banjo

Explanation

A samisen is a traditional Japanese stringed instrument that resembles a lute. A samisen, also called a shamisen, has a square, wooden body with three strings. The type of samisen that's played to accompany Kabuki theater has a very long, thin neck. The instrument is often played like a banjo, with a percussive plucking, though it can also be played with a bow like a violin. Samisen is from the Chinese san-hsien, which means "three-strings."

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

The music underscoring the monologue is both haunting and jarring, and it mixes in sounds from traditional Japanese theater like wooden clappers and samisen, a traditional stringed instrument.

From Los Angeles Times May 4, 2022

The program includes performances by a samurai group, taiko drummer Toshihiro Yuta, samisen musician Keisho Ohno, and Minyo Crusaders.

From Washington Post Mar. 17, 2022

Although they were playing a single work together, the sounds you heard — the wheeze of a piccolo, a muffled trumpet, the plucking of a samisen — felt independent.

From New York Times May 25, 2017

In the prints, the wakashu are presented as beautiful and desirable, sometimes practicing what were seen at the time as feminine arts like flower-arranging or playing the samisen.

From New York Times Mar. 10, 2017

He played the three-stringed samisen, which Kiyo and I called his “pinko-pinko.”

From "Farewell to Manzanar" by Jeanne Houston

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