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Showing results for spiccato. Search instead for spiccatos.

spiccato

American  
[spi-kah-toh, speek-kah-taw] / spɪˈkɑ toʊ, spikˈkɑ tɔ /

adjective

  1. (of violin music) performed with short, abrupt, rebounding motions of the bow.


spiccato British  
/ spɪˈkɑːtəʊ /

noun

  1. a style of playing a bowed stringed instrument in which the bow bounces lightly off the strings

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

adjective

  1. to be played in this manner

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of spiccato

1840–50; < Italian, equivalent to spicc- (stem of spiccare to detach) + -ato < Latin -ātus -ate 1


Vocabulary lists containing spiccato

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

This question as to what portion of the bow to use for spiccato each violinist must decide for himself, however, through experiment.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

Too many amateurs try to play spiccato from the arm.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

In light spiccato and staccato the detached notes should be played always with a single stroke of the bow.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

All phases of technical accomplishment, if rightly acquired, tend to become second nature to the player in the course of time: staccato, a brilliant trick; spiccato, the reiteration of notes played from the wrist, etc.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

In a very broad spiccato, the arm may be brought into play; but otherwise not, since it makes rapid playing impossible.

From Violin Mastery Talks with Master Violinists and Teachers by Frederick Herman Martens

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