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Showing results for spiccato. Search instead for spiccatos.

spiccato

American  
[spi-kah-toh, speek-kah-taw] / spɪˈkɑ toʊ, spikˈkɑ tɔ /

adjective

  1. (of violin music) performed with short, abrupt, rebounding motions of the bow.


spiccato British  
/ spɪˈkɑːtəʊ /

noun

  1. a style of playing a bowed stringed instrument in which the bow bounces lightly off the strings

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

adjective

  1. to be played in this manner

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of spiccato

1840–50; < Italian, equivalent to spicc- (stem of spiccare to detach) + -ato < Latin -ātus -ate 1

Vocabulary lists containing spiccato

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

In light spiccato and staccato the detached notes should be played always with a single stroke of the bow.

From Violin Mastery Talks with Master Violinists and Teachers by Martens, Frederick Herman

In the second part, with some loss of the lilt of dance, is a subtle design—with a running phrase in spiccato strings against a slower upward glide of bassoons.

From Symphonies and Their Meaning; Third Series, Modern Symphonies by Goepp, Philip H.

The martellato, a nuance of spiccato, should be played with a firm bowing at the point.

From Violin Mastery Talks with Master Violinists and Teachers by Martens, Frederick Herman

He cannot play spiccato or any of the 'bouncing' bowings, including various forms of arpeggios, with a poor stick.

From Violin Mastery Talks with Master Violinists and Teachers by Martens, Frederick Herman

In a very broad spiccato, the arm may be brought into play; but otherwise not, since it makes rapid playing impossible.

From Violin Mastery Talks with Master Violinists and Teachers by Martens, Frederick Herman

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