vanitas

American  

[van-i-tahs] / ˈvæn ɪˌtɑs /

noun

1. a type of still-life painting that flourished in the Netherlands from about 1620 to 1650, conveying a religious message and characterized by objects symbolic of mortality and the meaninglessness of worldly pleasures.

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Etymology

Origin of vanitas

1905–10; Latin: literally, vanity

Example Sentences

“Ultimate Rose” from Salvatore Sciarrino’s 1981 opera, “Vanitas,” turns early music, along with vocal and cello production, marvelously inside out.

From Los Angeles Times

Harnett had much simpler taste than his patrons, and while “Ease” is not a vanitas painting auguring death, he was known for incorporating traces of humor and irony in his paintings.

From The Wall Street Journal

Yet pronk works carried deeper meanings as the earliest forms of vanitas, a genre that uses symbolism to convey the brevity of life and futility of pleasure.

From Salon

Vanitas, a Renaissance artistic genre meant to show pleasure’s transient futility in the face of death’s inevitability, was modernized and performed for visitors.

From Los Angeles Times

But Met curator Ian Alteveer has filtered his selection through another of Brown’s long-standing preoccupations: the “intertwined themes of mirroring, still life, memento mori, and vanitas.”

From Washington Post