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Synonyms

verisimilar

American  
[ver-uh-sim-uh-ler] / ˌvɛr əˈsɪm ə lər /

adjective

  1. having the appearance of truth; likely; probable.

    a verisimilar tale.


verisimilar British  
/ ˌvɛrɪˈsɪmɪlə /

adjective

  1. appearing to be true; probable; likely

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

Etymology

Origin of verisimilar

First recorded in 1675–85; from Latin vērīsimil(is) ( vērī, genitive singular of vērum “truth,” + similis “like, resembling”) + -ar 1

Explanation

The adjective verisimilar describes something that appears to be true or real but may not be. If you want to impress your friends, remark on the verisimilar portrait of lost love in that foreign film you all went to see. Verisimilar comes from Latin. You’ll notice the word similar at the end, which means “like.” Veri- comes from the word veritas, meaning “truth.” Something that is verisimilar is “like true,” but is not necessarily actually true. A painting of your uncle Marvin, for example, might be so good that it’s verisimilar, in that it almost looks like Uncle Marvin is standing right there — but he isn't.

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Aesthetic truths for Baumgarten were those which did not seem altogether false or altogether true: in fact, the verisimilar.

From Aesthetic as Science of Expression and General Linguistic by Benedetto Croce

Various anecdotes of him are related by Boccaccio, Sacchetti, and others, none of them verisimilar, and some of them at least fifteen centuries old when revamped.

From Among My Books Second Series by James Russell Lowell

Who does not recall the great part played in literary history by the criticism of the verisimilar?

From Aesthetic as Science of Expression and General Linguistic by Benedetto Croce

Are these dramas of his not verisimilar only, but true; nay, truer than reality itself, since the essence of unmixed reality is bodied forth in them under more expressive symbols?

From English literary criticism by Various

Extravagant as are the situations in La Nuit et le Moment, the other best thing, they are, but for the longueurs already censured, singularly verisimilar on their own postulates.

From A History of the French Novel, Vol. 1 From the Beginning to 1800 by George Saintsbury

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