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Worcester china

American  
Trademark.
  1. a soft-paste porcelain containing very little clay or none at all, made at Worcester, England, since 1751.


Worcester china British  

noun

  1. Sometimes shortened to: Worcester.  porcelain articles made in Worcester (England) from 1751 in a factory that became, in 1862, the Royal Worcester Porcelain Company

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of Worcester china

First recorded in 1795–1805

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

And the very utensils, plain Wedgewood though they were, had a classical simplicity, which made Mrs. Hazeldean's old India delf, and Mrs. Dale's best Worcester china look tawdry and barbarous in comparison.

From The International Monthly, Volume 3, No. 2, May, 1851 by Various

Recently, the Quartermaster Corps of the Army turned over to the White House for the china collection some pieces of Royal Worcester china used in the house at the time of President Lincoln’s occupancy.

From White House China of the Lincoln Administration in the Museum of History and Technology by Klapthor, Margaret Brown

She borrowed some books from Mr. Freeman, and after a brief study of their contents began to talk glibly of the Sheraton and Heppelwhite periods, Adams chimney-pieces, and soft paste Worcester china.

From The Jolliest Term on Record A Story of School Life by Brazil, Angela

Then think of the blue of a mid-day sky, Of the sea, and the hills, and a Scotchman's eye; Of peacock's feathers, forget-me-nots, Worcester china and "jap" tea-pots.

From Verses for Children and Songs for Music by Ewing, Juliana Horatia Gatty

The table, with the Squire's old silver, and fine dark blue and gold Worcester china, and the Captain's picturesque grouping of hothouse flowers and ferns, was a study worthy of a painter of still life.

From Vixen, Volume II. by Braddon, M. E. (Mary Elizabeth)

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