Sociology. folkways of central importance accepted without question and embodying the fundamental moral views of a group.
The Latin noun mōrēs is the plural of mōs “custom, habit, usage, wont.” The Latin noun, whether singular or plural, has a wider range of usage than English mores has. Mōs may be good, bad, or indifferent: in Cicero’s usage the phrase mōs mājōrum “custom of our ancestors” is roughly equivalent to “constitution”; mōs sinister means “perverted custom,” literally “left-handed”; and Horace used to walk along the Via Sacra as was his habit (mōs). Mores entered English in the late 19th century.
… as Lincoln now feared, with the passing of this noble generation, “if the laws be continually despised and disregarded, if their rights to be secure in their persons and property, are held by no better tenure than the caprice of a mob, the alienation of their affections from the Government is the natural consequence.” To fortify against this, Lincoln essentially proposed that the national mores of America—taught in every classroom, preached in every church, proclaimed in every legislative hall—must revolve around “reverence” to the laws …
… the artist has always considered himself beyond the mores of the community in which he lived.
Music. all; all the voices or instruments together.
The Italian word tutti means “all,” i.e., all the instruments or voices of an orchestra together. Tutti is the masculine plural of tutto “all,” from Vulgar Latin tottus (unattested), from Latin tōtus. Tutti entered English in the 18th century.
He used to say that music could be either about almost nothing, one tiny strand of sound plucked like a silver hair from the head of the Muse, or about everything there was, all of it, tutti tutti, life, marriage, otherworlds, earthquakes, uncertainties, warnings, rebukes, journeys, dreams, love, the whole ball of wax, the full nine yards, the whole catastrophe.
You will hear the very obvious difference in volume between the tutti notes and the immediately following music, which is still forte but is played by fewer instruments.
any person who exercises great but insidious influence.
Grigori Efimovich Rasputin (c1871-1916) was a Russian peasant and self-proclaimed mystic and holy man (he had no official position in the Russian Orthodox Church). By 1904 Rasputin was popular among the high society of St. Petersburg, and in 1906 he became the healer of Alexei Nikolaevich Romanov, heir to the Russian throne and the hemophiliac son of Czar Nicholas II and his wife, Czarina Alexandra Feodorovna (a granddaughter of Queen Victoria and a carrier of hemophilia). In December 1916 Rasputin was murdered by Russian noblemen because of his influence over Czar Nicholas and the czarina.
… the dynamics of the situation do not permit him to be a Rasputin, whispering in Nixon’s ear.
Others have described Isaacs as “a Rasputin or Svengali-like character in Kerner’s life who exploited his undue influence over the governor and led him astray.”
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