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O.P.

1

abbreviation for

  1. Order of Preachers (Dominican).


O.P.

2

abbreviation for

  1. observation post.
  2. British Theater. opposite prompt.
  3. out of print.
  4. overproof.

op

3

[ op ]

noun

OP

4
or O.P.
  1. observation post.

op-

5
  1. variant of ob- (by assimilation) before p:

    oppose.

op.

6

abbreviation for

  1. opera.
  2. operation.
  3. opposite.
  4. opus.

Op.

7

abbreviation for

  1. opus.

o.p.

8

abbreviation for

  1. out of print.

op.

1

abbreviation for

  1. operation
  2. opus
  3. operator
  4. operational
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012


o.p.

2

abbreviation for

  1. out of print
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

OP

3

abbreviation for

  1. military observation post
  2. Ordo Praedicatorum (the Dominicans)
  3. organophosphate
“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Word History and Origins

Origin of O.P.1

From Latin Ōrdō Praedicātōrum
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Word History and Origins

Origin of O.P.1

(for sense 2) Latin: Order of Preachers
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Example Sentences

Gays have won, Mr. Barron said in his op-ed for the Pittsburgh Post-Gazette, and Christians are now “outlaws” and “martyrs.”

Judie Brown, president of American Life League, penned an op-ed blasting the “obvious erection.”

Bowman had just written an op-ed for TheWashington Post detailing alleged sexual assaults by Cosby in the mid-1980s.

He did not tell his family until shortly before the op-ed came out.

Jonathan Merritt, a popular religion writer, recently raised this question in an op-ed for The Week.

The Waltz without opus number and the Sonata, Op. 4, are likewise posthumous publications.

Speaking of the introduction to the Variations, Op. 2, he says: "The composer pretends to be going to work out the theme."

The twelfth study of Op. 10 (composed in September, 1831) invalidates all she says about fire, passion, and rushing torrents.

The A flat major Polonaise (Op. 53), for instance, he could not thunder forth in the way we are accustomed to hear it.

That the composer dedicated to her his Allegro de Concert, Op. 46, may be regarded as a mark of his love and esteem for her.

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