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espressivo

American  
[es-pre-see-voh, es-pres-see-vaw] / ˌɛs prɛˈsi voʊ, ˌɛs prɛsˈsi vɔ /

adjective

  1. expressive.


adverb

  1. expressively.

espressivo British  
/ ˌɛsprɛˈsiːvəʊ /

adjective

  1. music (to be performed) in an expressive manner

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of espressivo

First recorded in 1785–95; from Italian; see expressive ( def. )

Explanation

It's obvious how close the Italian word espressivo is to the English "expressive," which is exactly what it means in a piece of music. The voices and instruments are supposed to perform that passage with lots of expression or feeling. You may have seen movies where characters try out for a musical role. Some of them sing not quite in tune. Others get all the notes right, but are boring to listen to because no emotion or feeling comes through in their singing. They aren't singing espressivo! In such movies, the hero or heroine gets the role because the director listening to them is moved to tears or excitement by their espressivo singing.

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Ustvolskaya demands not that effects be the usual espressivo but espressivissimo.

From Los Angeles Times • Jun. 12, 2018

The cellist Norman Fischer, Robert Sirota’s classmate at the Oberlin Conservatory, and the pianist Jeanne Kierman Fischer were poised and expressive in the rich, poignant Adagio espressivo from Mr. Sirota’s Sonata for Cello and Piano.

From New York Times • Sep. 16, 2012

Although Mr. Ashkenasi sounded slightly abrasive at times in the Moszkowski, his tone here was focused and sweet, particularly in the lush Andante espressivo.

From New York Times • Oct. 5, 2011

The Adagio espressivo was particularly successful, thanks largely to magnificently sweet-toned solo playing by Miranda Cuckson, the violinist; Ms. Griffin, the violist; Keve Wilson, the oboist; and Lance Suzuki, the flutist.

From New York Times • Jun. 23, 2010

Here and there a tinge of foreshadowing pain appears, as the song sounds on high, espressivo dolente.

From Symphonies and Their Meaning; Third Series, Modern Symphonies by Goepp, Philip H.

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