Dictionary.com
Thesaurus.com

High Renaissance

American  

noun

  1. a style of art developed in Italy in the late 15th and early 16th centuries, chiefly characterized by an emphasis on draftsmanship, schematized, often centralized compositions, and the illusion of sculptural volume in painting.


High Renaissance British  

noun

    1. the period from about the 1490s to the 1520s in painting, sculpture, and architecture in Europe, esp in Italy, when the Renaissance ideals were considered to have been attained through the mastery of Leonardo, Michelangelo, and Raphael

    2. ( as modifier )

      High Renaissance art

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of High Renaissance

First recorded in 1925–30

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

It’s hard to imagine Florence, cradle of the High Renaissance of early modern Europe, without its avaricious, venal, culture-conscious first family, the Medici.

From New York Times

It was his fate to work in the aftermath of the High Renaissance, to visit the Vatican and look up at the Sistine Chapel ceiling and know that the contest wasn’t close.

From New York Times

The Marys are represented by 11 glazed-ceramic heads, busts and nearly life-size figures, all clearly based on Donatello’s emaciated Mary Magdalene, a surpassing sculpture made in the 1450s on the verge of the High Renaissance.

From New York Times

In the “Transparencies” series of 1927-30, Picabia shifts gears radically, smoothing his surfaces and layering together the outlines of images from the High Renaissance, popular culture and Catalan frescoes, combining Botticelli saints with half-dressed starlets.

From New York Times

This was not a place suited to the lofty perfection of the High Renaissance, nor even to the moralizing of contemporary Dutch genre painting.

From New York Times