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overdub

American  
[oh-ver-duhb, oh-ver-duhb] / ˌoʊ vərˈdʌb, ˈoʊ vərˌdʌb /

verb (used without object)

overdubbed, overdubbing
  1. to add other recorded sound or music, as a supplementary instrumental or vocal track, to a taped musical track to complete or enhance a recording.


verb (used with object)

overdubbed, overdubbing
  1. to add (a track or tracks) to a musical recording.

noun

  1. a recorded segment or layer of instrumental parts, vocalization, or sound effects integrated into a musical recording.

overdub British  

verb

  1. to add (new sound) on a spare track or tracks

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

noun

  1. the addition of new sound to a recording; the blending of various layers of sound in one recording

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of overdub

First recorded in 1965–70; over- + dub 4

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

His 2022 debut, “Prey,” is the first major movie to feature a Native American woman, Amber Midthunder, as the lead in a film released with a Native American language overdub.

From Salon • Nov. 12, 2025

We also spent a moment in an overdub room, mimicking the creation of white noise from a crowd.

From Los Angeles Times • Aug. 29, 2024

It’s his attempt to overdub the noise, “the ‘Real Housewives’ conversation,” as he puts it.

From Washington Post • Jan. 15, 2022

The emotion of the character is still present and the end results are definitely more believable than a traditional overdub because the movement of the mouth is synchronized to the new dialogue.

From The Verge • Sep. 21, 2021

Sometimes, Afro-Latin percussionists join in; elsewhere, Sands douses his piano with an overdub of churchy organ.

From New York Times • Oct. 25, 2018