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Thus rejected, the painting languished, unloved, in the very studio it depicted until it appeared in one of the 20th century’s most influential exhibitions: the 1912 Second Post-Impressionist Exhibition in London.
From Washington Post ● Jun. 22, 2022
So Matisse kept the painting for more than 15 years, during which it traveled to the Second Post-Impressionist Exhibition in London in 1912 and to New York, Chicago and Boston for the 1913 Armory Show.
From New York Times ● Sep. 12, 2021
The critic Roger Fry had organised an exhibition of Post-Impressionist work which introduced Van Gogh's work to many art lovers who had barely known his name since his suicide near Paris 20 years before.
From BBC ● Mar. 26, 2019
It was the Musée de l’Orangerie, a structure that was built, in 1852, to shelter orange trees, and which now houses Impressionist and Post-Impressionist art.
From The New Yorker ● Jan. 7, 2019
Years later Vincent will be called a Post-Impressionist along with other artists such as Paul Gauguin, Paul Cezanne, and Georges Seurat.
From "Vincent and Theo: The Van Gogh Brothers" by Deborah Heiligman
