sandarac

American  

[san-duh-rak] / ˈsæn dəˌræk /

noun

1. a coniferous tree, Tetraclinis articulata (Callitrus quadrivalvis ), native to northwestern Africa, yielding a resin and a fragrant, hard, dark-colored wood much used in building.

2. the brittle, usually pale-yellow, faintly aromatic resin exuding from the bark of this tree: used chiefly as incense and in making varnish.

---

sandarac British  

/ ˈsændəˌræk /

noun

1. Also called: sandarac tree.  either of two coniferous trees, Tetraclinis articulata of N Africa or Callistris endlicheri of Australia, having hard fragrant dark wood: family Cupressaceae

2. a brittle pale yellow transparent resin obtained from the bark of this tree and used in making varnish and incense

3. Also called: citron wood.  the wood of this tree, used in building

---

Etymology

Origin of sandarac

1350–1400; Middle English sandaracha < Latin sandaraca < Greek sandarákē realgar, beebread

Example Sentences

A good waterproof wood polish is made thus: 1 pint alcohol, 2 oz. gum benzoin, ¼ oz. gum sandarac, ¼ oz. gum anime.

From Handwork in Wood by Noyes, William

After effecting the erasure the spot is often rubbed over with a powdered alum or gum sandarac, or coated with gelatin or size.

From Forty Centuries of Ink or, a chronological narrative concerning ink and its backgrounds, introducing incidental observations and deductions, parallels of time and color phenomena, bibliography, chemistry, poetical effusions, citations, anecdotes and curiosa together with some evidence respecting the evanescent character of most inks of to-day and an epitome of chemico-legal ink. by Carvalho, David Nunes

Rembrandt, from motives of economy, may have employed the scarcely less durable common "vernix" or sandarac oil varnish; and for certain effects may have reckoned on its tint.

From Blackwood's Edinburgh Magazine, Volume 62, No. 383, September 1847 by Various

There are two kinds, a native and an artificial, of which the former is the sandarac of the ancients, and is rather redder than the latter.

From Field's Chromatography or Treatise on Colours and Pigments as Used by Artists by Salter, Thomas

Always the eraser and the sandarac, the same inkstand, the same pens, and the same companions.

From Bouvard and Pécuchet A Tragi-comic Novel of Bourgeois Life by Flaubert, Gustave