spirituals

¹ Cultural  

1. A kind of religious song originated by African-Americans. Spirituals are often written with freer rhythms and harmonies than most standard hymns. Many of them go back to the days of slavery, and they often speak of biblical models of deliverance, such as the Exodus. Several spirituals have become standard pieces of music for concert singers and choruses. “Gonna Lay Down My Burden,” “Joshua Fit the Battle of Jericho,” “Nobody Knows the Trouble I've Seen,” “Swing Low, Sweet Chariot,” and “When the Saints Go Marching In” are spirituals.

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spirituals ² Cultural  

1. Religious songs of African-Americans, often written with freer rhythms and harmonies than most standard hymns. Spirituals, many of which go back to the days of slavery, often speak of biblical models of deliverance, like the Exodus. Some well-known spirituals are “Gonna Lay Down My Burden,” “Joshua Fit the Battle of Jericho,” “Nobody Knows the Trouble I've Seen,” “Swing Low, Sweet Chariot,” and “When the Saints Go Marching In.”

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Example Sentences

Orchestra for a prom that includes music by the Charleston-born composer Edmund Thornton Jenkins, one of the first people to introduce elements of jazz and spirituals into the classical repertoire.

From BBC • Apr. 20, 2026

And while Anglo-American lullabies are typically written in major keys, Gershwin chose a minor one—evoking the depth and dignity of such African-American spirituals as “Sometimes I Feel Like a Motherless Child.”

From The Wall Street Journal • Dec. 5, 2025

Tines started out Robeson-esque performing “Some Enchanted Evening,” speaking Othello’s final monologue and singing African American spirituals, becoming angrier and yet also more ecstatic as he progressed.

From Los Angeles Times • Oct. 9, 2024

The prayers, Bible readings and brief speeches were interspersed with gospel music and spirituals, as well as the contemporary song, “Heal Our Land.”

From Washington Times • Sep. 23, 2023

As DePreist left the stage, Marian Anderson’s recorded voice rose up and filled the hall with the words of the spirituals she loved.

From "The Voice That Challenged a Nation: Marian Anderson and the Struggle for Equal Rights" by Russell Freedman