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a hypothetical collection of identical or diverse universes, including our own.
Multiverse, a combination of the common prefix multi– and (uni)verse, nowadays means “a hypothetical collection of identical or diverse universes, ours included,” a sense first suggested in 1952 by the Austrian physicist Erwin Schrödinger (1887–1961). Multiverse, however, was coined by the American psychologist and philosopher William James (1842–1910). Multiverse to James was an alternative to or an opposite of universe and meant “the universe imagined as lacking order, unity, or a single ruling and guiding power.” James used multiverse in a lecture “Is Life Worth Living?” in 1895.
Multiverse proponents advocate the idea that there may exist innumerable other universes, some of them with totally different physics and numbers of spatial dimensions; and that you, I and everything else may exist in countless copies.
Ten days before he died, Stephen Hawking sent one more written insight out into the cosmos—a paper, co-written with physicist Thomas Hertog of the Catholic University of Leuven in Belgium, tackling the problem of a multiverse.
the character defect that causes the downfall of the protagonist of a tragedy; tragic flaw.
In Greek the noun hamartíā means “failure, fault, error (of judgment), guilt, sin.” Hamartia, if familiar at all, will be familiar as the term that the Greek philosopher Aristotle (384–322 b.c.) uses in his Poetics for the personal defect or frailty—the tragic flaw—that brings about the ruin of a prosperous or eminent man who is neither utterly villainous nor totally good, like, for instance, Oedipus. Hamartíā is a derivative of the verb hamartánein “(of a spear) to miss the mark, (in general) to fail in one’s purpose, fall short, go wrong.” Hamartánein with its derivatives and related words, like about 60 percent of Greek vocabulary, has no known etymology. Hamartia entered English in the late 19th century.
Every person was felt to have his or her hamartia—a tragic flaw, or potential for error in judgment that would frequently destroy an otherwise promising career. The most common among these flaws was hubris ….
… his hamartia (“error”) leads to the loss of all that matters to him, as well as to a puncturing of his former worldview.
to relate, describe, or treat (something) in the form of poetry.
Versify comes via Old French versifier from Latin versificāre “to write or compose verse.” Versificāre is partly composed of the noun versus “a line of writing, a line of poetry, a sequence of notes.” The basic meaning of versus is “a circular movement (in a dance), twirl” and is a derivative of the verb vertere “to turn, revolve, pass through a cycle.” The combining form –ficāre means “doing, making, causing” and ultimately derives from the verb facere “to make, build, construct.” Versify entered English in the 14th century.
… the energetic singer who cannot repress the impromptu urge to versify the mundane things going on around him.
He served in Africa, southern France and Italy during World War II, a period that he said led him to “versify in earnest.”
a dish made of fruit, scalded or stewed, crushed and mixed with cream or the like: gooseberry fool.
Fool, “a dessert made of scalded or stewed fruit, crushed and mixed with cream,” is just the sort of word to cause an etymological food fight. Fool is probably a specialized sense of fool “a silly or stupid person.” In the late 16th century, trifle, now meaning “something of little value, consequence, or importance,” was a synonym for fool (the dessert), though the dessert we call trifle is now something different. Another (discredited) etymology derives fool from Old French foulex, fole, “a pressing, treading,” from fouler, foler “to press, tread.” Fool (the dessert) entered English in the 16th century.
The fool, one of the oldest English desserts, is basically nothing more than a mixture of puréed fruit, sugar, and thick cream, the simplest thing in the world.
One of the simplest ways to prepare strawberries when you want a departure from serving them plain is to chop them into a Fool.
having a soft, velvety surface, as certain plants.
Velutinous, “having a soft, velvety surface or hairs,” is a very rare adjective, a technical term used in botany and entomology. Velutinous comes directly from the New Latin adjective velūtīnus “velvety,” from Medieval Latin velūtum “velvet.” Velūtum possibly comes from assumed Vulgar Latin villūtus, from Latin villus “shaggy nap.” Velutinous entered English in the 19th century.
He picked up his bread, pulled open the crust so the soft velutinous white inside was exposed, pushed it into a piece of omelet, then lifted the dripping morsel to his lips and bit upon it.
The deep shag of a plush carpet was beneath our feet and velutinous purple flocked wallpaper covered the walls.
the lowest point; point of greatest adversity or despair.
Nadir comes via Middle French and Late Latin nadir “point opposite the sun, point opposite the zenith” from Arabic naẓīr (as-samt) “opposite (the zenith).” Arabic samt is the source of zenith. Nadir (and zenith) entered English in the late 14th century.
At the nadir of the global stock market crash in March 2009, the kronor hit a low of 8.48 euro cents per kronor ….
… [the] fragment was hurled from what had seemed the nadir of horror to black, clutching pits of a horror still more profound.
the transposition of letters, syllables, or sounds in a word, as in the pronunciation aks for ask.
In linguistics, metathesis is the transposition of two consecutive letters or sounds of a word, as in the now nonstandard pronunciation aks for ask (Old English has the verbs áscian and axian, and Middle English has asken and axen). Every well-disciplined schoolboy knows that in Greek quantitative metathesis is the change of long vowel + short vowel, e.g., ēo, to short vowel + long vowel, eō. Metathesis comes via Late Latin metathesis “transposition of the letters of a word,” from Greek metáthesis “change, change of position, transposition,” a compound formed of the common Greek preposition and prefix metá, meta– “with, in the middle of, among” (metá is related to German mit and Old English mid “with,” as in the first syllable of midwife). Thésis “placing, location, setting” is a derivative of the verb tithénai “to put, place,” from the very common Proto-Indo-European root dhē– “to place, put,” and the source of Latin facere “to do” and English do. Metathesis entered English in the 16th century.
”NOO-kyuh-luhr”-sayers, who number in the many millions, in fact, move the l in nuclear to the final syllable and thus avoid the unusual pattern. (Linguists refer to this sound-switching process as metathesis.)
Remember this when the next time you hear someone complaining about aks for ask or nucular for nuclear, or even perscription. It’s called metathesis, and it’s a very common, perfectly natural process.