You start identifying the Helvetica on a subway sign or the Bodoni in a Bible.
The pica then produced was an improvement in the style of Bodoni, and quickly raised the foundry to its old position.
To Bodoni more than anyone else the so-called modern-face is due.
One of the best specimens of Bodoni's typography is a respectable volume of inscriptions, all written by his friend Pacciaudi.
In this respect they differ greatly from those of Bodoni, whose types to Morris and his followers appeared weak and ugly.
Bodoni's letters play together with perfect accord, and his pages, as a whole, possess a statuesque if not a decorative beauty.
Certainly not; if we except some of the works from the press of Bodoni—which are oftentimes truly brilliant.
Bodoni settled at Parma, and it was at Parma that he did most of his printing.
The examples of Baskerville at home and of Bodoni and other printers abroad had not been without effect on English printing.
The majuscules are especially ugly, being nearly always of the modern type which we owe to Bodoni.
1880, typeface based on that used by celebrated Italian printer Giambattista Bodoni (1740-1813) of Parma. The modern type of this name is a composite of his many forms.