Her contemplative films (never videos) unpack the world the way Cezanne and Chardin do.
But Chardin had another merit besides that of making a fortune.
This time, however, Chardin did not follow the same route as before.
Chardin gives some curious information on the subject (Erskine).
He took Chardin and Greuze as his models, and is a real master in talent.
Chardin did not consider that Sadi and Lokman were Persians.
Chardin's art is living and sincere, with never a trace of affectation.
There is never an immodest thought, never a piquant suggestion in Chardin's paintings.
Like all Chardin's genre pictures, it is, as it were, a glimpse of real life.
Yet Chardin, the bourgeois incarnate, was anything but a Philistine.
