His name was furioso, and his strength was known to surpass that of an army of ordinary men.
And what is true of Rodomonte may be said of all the studied situations in the furioso.
In the “Berneschi” we find nearly the same phenomenon that we already noticed with regard to Orlando furioso.
The style of the furioso is said to have taught Galileo how to write Italian.
The poet repaid his benefactor by magnificent eulogies inserted in the last edition of the furioso.
No doubt about it, the whole calamity to court and nation was the work of furioso, and he had got the princess.
The story of the Orlando Innamorato must be known before we can well understand that of the furioso.
The characters of the Innamorato reappear with slight but subtle changes and with somewhat softened names in the furioso.
He spent ten years in the composition of the furioso and sixteen in its polishing.
If the furioso can be said to have constructive unity, the central subject is the love and marriage of Ruggiero.