A pianist is boomed a year ahead, like Paderewski, for instance.
The Paderewski of 1902 and 1905 is very unlike the Paderewski of 1891.
His line is the actual manipulation of the pianoforte—the Paderewski touch.
Something about it reminds you of the way Paderewski plays it.
"It sounded like Paderewski," you stammer in a dazed sort of way.
That Paderewski can get all the pianos he wants for nothing.
I should like to hear Dr. Johnson's criticism of Paderewski.
Or Paderewski breaking off in the middle of a bar and burying his face in his hands!
For the halting amateur of to-day might have served as a Paderewski of the past.
I have engaged Paderewski, who has had a colossal success in Paris.
