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  • ancona
    ancona
    noun
    an altarpiece, usually consisting of a painted panel or panels, reliefs, or statues set in an elaborate frame.
  • Ancona
    Ancona
    noun
    a seaport in E Italy, on the Adriatic Sea.

ancona

1 American  
[ahn-kaw-nah, ang-koh-nuh] / ɑnˈkɔ nɑ, æŋˈkoʊ nə /

noun

Italian.
ancone, plural anconas plural
  1. an altarpiece, usually consisting of a painted panel or panels, reliefs, or statues set in an elaborate frame.


Ancona 2 American  
[ahn-kaw-nah] / ɑnˈkɔ nɑ /

noun

  1. a seaport in E Italy, on the Adriatic Sea.

  2. one of a Mediterranean breed of chickens having mottled black-and-white plumage.


Ancona British  
/ aŋˈkoːna /

noun

  1. a port in central Italy, on the Adriatic, capital of the Marches: founded by Greeks from Syracuse in about 390 bc . Pop: 100 507 (2001)

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

Etymology

Origin of ancona

First recorded in 1870–75

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

About this period, Allegri painted in the church of the Conventuals, at Coreggio, what is termed an ancona, a small altar-piece in wood, consisting of three pictures.

From The History of Painting in Italy, Vol. IV (of 6) from the Period of the Revival of the Fine Arts to the End of the Eighteenth Century by Lanzi, Luigi Antonio

It is clear from his size and position that the ancona has been painted for an altar specially dedicated to this Apostle.

From The Venetian School of Painting by Phillipps, Evelyn March

There is an early ancona at La Rocca, near Varallo, another in the parocchia of Gattinara, and possibly a greatly damaged Pieta in the cloisters of Sta.

From Ex Voto by Butler, Samuel

He had picked up the first fragment, a slender St. Catherine of Alexandria demurely leaning upon her spiked wheel, at a provincial antiquary's in Romagna, not far from where the ancona had been impiously dismembered.

From The Collectors by Mather, Frank Jewett

Crivelli continued executing one great ancona after another, limiting his progress to perfecting his technique, and his influence was most deeply felt by such Umbrian painters as Lorenzo di San Severino and Niccola Alunno.

From The Venetian School of Painting by Phillipps, Evelyn March

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