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bottega

American  
[boh-tey-guh, buh-, bawt-te-gah] / boʊˈteɪ gə, bə-, bɔtˈtɛ gɑ /

noun

  • bottegas,
    plural
  • botteghe
    plural
  1. the studio of a master artist, in which lesser artists, apprentices, or students learn by participating in the work.


Other Word Forms

Noun Inflected Forms

Etymology

Origin of bottega

1895–1900; < Italian: literally, shop < Latin apothēca; see apothecary

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

His first son, Gian Antonio, became master of the bottega and a member of the Venetian Academy long before Francesco, who was 14 years younger.

From Time Magazine Archive

A more likely tale has him haunting Cimabue's Florentine bottega until the painter made him an apprentice.

From Time Magazine Archive

Papa Guardi set up a bottega, or combination studio and art shop, in an alley on the wrong side of the Grand Canal.

From Time Magazine Archive

The Pope found him at work in his bottega on the tomb of Julius; for the "tragedy of the mausoleum" still dragged on.

From Renaissance in Italy Volume 3 The Fine Arts by John Addington Symonds

Many, indeed, were the apprentices trained in the famous bottega at Perugia, but, among them all, Raphael and Pinturicchio took the lead.

From The Madonna in Art by Estelle M. (Estelle May) Hurll

At last count, in an eleven-block stretch of Fifth Avenue in midtown Manhattan, there were eleven Italian botteghe, each one apparently striving to be the most exclusive shop on its block.

From Time Magazine Archive

The wool-workers had ceased their toil, the artists had left their botteghe, the markets were deserted, and all Florence forgathered in the Piazza to welcome "I Signori di Firenze!"

From The Tragedies of the Medici by Edgcumbe Staley

Amongst the thousand arteries in which the life blood of the Renaissance coursed in all its fulness, none were so busy or so important as the "botteghe" of the artists.

From Fra Bartolommeo by Flora Kendrick

Of these, many notable examples were produced in the botteghe of the two rival artist families, the Bellini and the Vivarini.

From Child-life in Art by Estelle M. (Estelle May) Hurll

I do not miss the dirt and stink of the botteghe or the sink holes of Florence, Milan, and Rome.

From Voices from the Past by Paul Alexander Bartlett

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