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Buononcini

[ Italian bwaw-nawn-chee-nee ]

noun



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Example Sentences

It must be remembered that at this time Handel had not yet asserted his greatness as a choral writer; the fashionable ideas of music and musicianship were based entirely upon success in Italian opera, and the contest between the rival composers was waged on the basis of works which have fallen into almost as complete an oblivion in Handel’s case as in Buononcini’s.

To this time belongs the famous rivalry between Handel and Buononcini, a melodious Italian composer whom many thought to be the greater of the two.

Some say, compared to Buononcini That Mynheer Handel’s but a ninny; Others aver that he to Handel Is scarcely fit to hold a candle.

But even within these limits Handel’s artistic resources were too great to leave the issue in doubt; and when Handel wrote the third act of an opera Muzio Scevola, of which Buononcini and Ariosti1 wrote the other two, his triumph was decisive, especially as Buononcini soon got into discredit by failing to defend himself against the charge of producing as a prize-madrigal of his own a composition which proved to be by Lotti.

To draw any parallel between the theft of such unattractive details in the grand and intensely Handelian scheme of Israel in Egypt and Buononcini’s alleged theft of a prize madrigal is merely ridiculous.

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