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Čapek
[chah-pek]
noun
Karel 1890–1938, Czech playwright, novelist, and producer.
Čapek
/ ˈtʃapɛk /
noun
Karel (ˈkarɛl). 1890–1938, Czech dramatist and novelist; author of R.U.R. (1921), which introduced the word "robot", and (with his brother Josef ) The Insect Play (1921).
Example Sentences
“Blade Runner,” “Star Trek: The Next Generation,” “A.I.”— it goes all the way back to Karel Čapek’s 1920 play “R.U.R.,” which I mention particularly for the fun fact that it is the source of the word robot, from the Czech “robota,” meaning “forced labor,” if you’d care to think about that.
The trajectory contained in Čapek's story were subsequently expressed in a long list of other texts and films, as well, from Isaac Asimov's "I Robot" to Stanley Kubrick's "2001" and Michael Crichton's "Westworld," to more recent films that have extended "Blade Runner's" message in the "Terminator" and "RoboCop" franchises, Alex Garland's "Ex Machina," "Automata" and "Chappie," along with episodes in Charlie Brooker's "Black Mirror" and Tim Miller's "Love, Death & Robots."
We get the word robot from the Czech word robota, which comes to us in a stage play from 1920 by Karel Čapek.
One hundred years ago, a play by the Czech author Karel Čapek introduced the word “robot,” telling the story of artificial factory workers designed to serve humans.
I tried to connect the books I read: a biography of Friedrich Nietzsche with his Thus Spake Zarathrustra, Arthur Koestler’s Darkness at Noon with Karel Čapek, getting most of my connections from works of criticism, reviews, or casual mentions by my English teacher, who seemed to have read everything.
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