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Da Ponte

American  
[duh pon-tee, dah pawn-te] / də ˈpɒn ti, dɑ ˈpɔn tɛ /

noun

  1. Lorenzo Emanuele Conegliano, 1749–1838, Italian librettist and teacher of Italian, in the U.S. after 1805.


Da Ponte British  
/ dɑ ˈpɔnte /

noun

  1. Lorenzo (loˈrɛntso), real name Emmanuele Conegliano 1749–1838, Italian writer; Mozart's librettist for The Marriage of Figaro (1786), Don Giovanni (1787), and Cosi fan tutte (1790)

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Mozart and his librettist, Lorenzo Da Ponte, meant to make us squirm as they uncover our insecurities and the faults in our materialistic facades.

From Los Angeles Times

The censors of Emperor Joseph II, an enlightened despot, approved the libretto by Lorenzo Da Ponte only after he and Mozart removed all explicit political references that came from the play, including a climactic speech inveighing against the privileged nobility.

From Salon

Anthony Holden, a polymathic and prolific British author, journalist and poker player who found accidental fame as a royal biographer and critic of the monarchy, but who was happier writing books about Shakespeare, Laurence Olivier and Lorenzo Da Ponte, Mozart’s librettist, died on Oct.

From New York Times

In that second category fall Mozart’s three collaborations with the librettist Lorenzo Da Ponte — “Le Nozze di Figaro,” “Don Giovanni” and “Così Fan Tutte” — works of slippery psychology, frank humanity and, crucially, crystalline construction that punishes any mistake onstage or in the orchestra pit.

From New York Times

Gray has gone further in his attempted conventional faithfulness to Mozart’s score, and the goings on in Lorenzo Da Ponte’s libretto, more than any respectable modern opera director would dare.

From Los Angeles Times