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epode

American  
[ep-ohd] / ˈɛp oʊd /

noun

  1. Classical Prosody. a kind of lyric poem, invented by Archilochus, in which a long verse is followed by a short one.

  2. the part of a lyric ode following the strophe and antistrophe and composing with them a triadic unit.


epode British  
/ ˈɛpəʊd /

noun

  1. the part of a lyric ode that follows the strophe and the antistrophe

  2. a type of lyric poem composed of couplets in which a long line is followed by a shorter one, invented by Archilochus

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of epode

1590–1600; < Latin epōdos < Greek epōidós an aftersong, singing after. See ep-, ode

Explanation

In poetry, an epode is the third and final section of an ode, after the strophe and antistrophe. Part of an epode's purpose is to summarize the poem's themes. An ancient Greek epode was originally a stand-alone form of lyric poetry in which short verses are followed by longer ones. Eventually, epodes were added to the end of the longer praise poems known as odes; while the strophe and antistrophe share the same meter, the epode's is usually different. Its use as a final stanza summing up the poem's major ideas is reflected in the word's Greek meaning, "after-song."

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

The epode soon took a firm place in choral poetry, which it lost when that branch of literature declined.

From Encyclopaedia Britannica, 11th Edition, Volume 9, Slice 6 "English Language" to "Epsom Salts" by Various

He was also the first to make use of the arrangement of verses called the epode.

From Encyclopaedia Britannica, 11th Edition, Volume 2, Slice 4 "Aram, Eugene" to "Arcueil" by Various

As Milton says, “strophe, antistrophe and epode were a kind of stanza framed only for the music then used with the chorus that sang.”

From Encyclopaedia Britannica, 11th Edition, Volume 2, Slice 2 "Anjar" to "Apollo" by Various

The second strophe and second antistrophe are identical metrically with the first, the second epode with the first epode; and so on.

From The Principles of English Versification by Paull Franklin Baum

Of the three parts of the ode, the strophe, the antistrophe, and the epode, each was to be sung at a particular part of the procession.

From The Symbolism of Freemasonry by Albert G. Mackey

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