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Giotto

[jot-oh, jawt-taw]

noun

  1. Giotto di Bondone, 1266?–1337, Florentine painter, sculptor, and architect.



Giotto

1

/ ˈdʒɔtəʊ /

noun

  1. a European spacecraft that intercepted the path of Halley's comet in March 1986, gathering data and recording images, esp of the comet's nucleus

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Giotto

2

/ ˈdʒɔtto /

noun

  1. also known as Giotto di Bondone. ?1267–1337, Florentine painter, who broke away from the stiff linear design of the Byzantine tradition and developed the more dramatic and naturalistic style characteristic of the Renaissance: his work includes cycles of frescoes in Assisi, the Arena Chapel in Padua, and the Church of Santa Croce, Florence

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Giotto

  1. An Italian painter and architect of the late thirteenth and early fourteenth centuries. Art in Italy before the time of Giotto was heavily influenced by the art of the Byzantine Empire and was highly stylized; it resembled the icons in Byzantine churches. Giotto was the first painter to abandon Byzantine ways and begin to depict more lifelike expressions and figures.

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

In his description of Giotto’s naturalistic painting of the 14th century, Vasari hailed a “rebirth” of the arts, beginning then and carrying into the age of his own Medici patrons.

The nature of optics, or how the eye sees as light’s conduit, is the focus of an altarpiece fragment by Giotto from the San Diego Museum of Art.

Read more on Los Angeles Times

Garabedian assumes the fatherly supporting role of St. Joseph, the carpenter, shown in the background building a domestic shelter reminiscent of those in Renaissance nativities by Giotto or Botticelli.

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Reagan called film “the world’s most enduring art form,” which must have puzzled admirers of Mozart, Giotto and the Lascaux Cave paintings.

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The scene may have summoned to some minds famous paintings by artists like Giotto, Titian, Caravaggio and Dürer of mourning crowds surrounding Jesus as he is taken down from the cross or entombed.

Read more on New York Times

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