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linear perspective

American  

noun

  1. a mathematical system for representing three-dimensional objects and space on a two-dimensional surface by means of intersecting lines that are drawn vertically and horizontally and that radiate from one point one-point perspective, two points two-point perspective, or several points on a horizon line as perceived by a viewer imagined in an arbitrarily fixed position.


linear perspective British  

noun

  1. the branch of perspective in which the apparent size and shape of objects and their position with respect to foreground and background are established by actual or suggested lines converging on the horizon

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of linear perspective

First recorded in 1835–45

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

The use of linear perspective had been a “secret” known to the ancient Greeks and Romans but lost and then “rediscovered” by the Florentine architect Filippo Brunelleschi, whose drawings inspired Masaccio.

From Textbooks Apr. 19, 2023

Avery composed with large areas of flat color, creating depth with color contrasts and harmonies instead of shifts in scale and linear perspective.

From Washington Post Mar. 16, 2022

The artist, Lorenzo Monaco, painted during the Renaissance period, but the work was created before linear perspective had replaced the “two-dimensional” style of Gothic painting.

From Textbooks Jan. 1, 2020

Technically speaking, linear perspective is nothing more than an optical illusion, but it is rightfully considered one of the most transformative innovations of the Renaissance.

From New York Times Nov. 3, 2016

Like Poussin he depended much upon long sweeping lines in composition, and upon effects of linear perspective.

From A Text-Book of the History of Painting by Van Dyke, John Charles

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