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melisma

American  
[mi-liz-muh] / mɪˈlɪz mə /

noun

Music.

plural

melismas, melismata
  1. an ornamental phrase of several notes sung to one syllable of text, as in plainsong or blues singing.


melisma British  
/ mɪˈlɪzmə, ˌmɛlɪzˈmætɪk /

noun

  1. music an expressive vocal phrase or passage consisting of several notes sung to one syllable

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Other Word Forms

  • melismatic adjective

Etymology

Origin of melisma

First recorded in 1605–15, melisma is from the Greek word mélisma “song, tune”; see melody, -ism

Explanation

Melisma is a musical term used to describe the technique of singing a single text syllable — like "love" — while moving between several different notes in succession. Melisma, often referred to as "riffing," is a common technique in rhythm and blues. You'll hear it in other types of music, too, including pop, opera, and gospel music. Melisma is often used to showcase a singer's agility and range, or to add flair to a song. You'll sometimes hear singers using melisma on words like "brave" and "free" when singing the U.S. national anthem. The opposite of melisma is syllabic singing, where each syllable of a word gets just one note — think "Twinkle, Twinkle, Little Star."

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

He asked permission to try it out in front of the London audience, before drifting into a wordless, intimate melisma.

From BBC • Aug. 14, 2024

Her singing too strikes a throwback note, with less of the almost-rapping she was doing in songs like the trappy “7 Rings” and more of the fluid R&B melisma she inherited from Mariah Carey.

From Los Angeles Times • Oct. 30, 2020

The arresting opening sounds a high note with a long falling melisma on the syllable “la” and a very sparse bass line.

From New York Times • Dec. 20, 2019

Beyoncé’s proficiencies include the art of publicity, and her messaging is as precise as her melisma.

From The New Yorker • Apr. 18, 2019

The closing words of each Psalm are chanted more 171 slowly and impressively, a long "triad" being substituted for the "melisma," sung piano.

From Letters of Felix Mendelssohn Bartholdy from Italy and Switzerland by Mendelssohn-Bartholdy, Felix