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millefiori

Or mil·le·fi·o·re

[mil-uh-fee-awr-ee, -ohr-ee]

noun

  1. decorative glass made by fusing multicolored glass canes together, cutting them crosswise, joining them into new groups, embedding the groups in transparent glass, and blowing the resultant mass into a desired shape.



millefiori

/ ˌmɪlɪˈfjɔːrɪ /

noun

    1. decorative glassware in which coloured glass rods are fused and cut to create flower patterns: an ancient technique revived in Venice in the sixteenth century and in France and England in the nineteenth century

    2. ( as modifier )

      a millefiori paperweight

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Word History and Origins

Origin of millefiori1

1840–50; < Italian, equivalent to mille thousand (< Latin ) + fiori, plural of fiore < Latin flōri- (stem of flōs ) flower
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Word History and Origins

Origin of millefiori1

C19: from Italian: thousand flowers
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Dior will spring up on Melrose with its Millefiori Garden Pop-Up, a week of events celebrating the brand’s beloved fragrance, Miss Dior.

Read more on Los Angeles Times

The Murano name encompasses various styles and techniques, including millefiori, which is characterized by psychedelically dense floral patterns, and filigrana, a technique developed in the 16th century, in which white or colored glass threads are embedded into clear glass canes that are used to create finished pieces with a pattern of delicate stripes.

Read more on New York Times

It was on Murano that glassmakers first figured out how to make pure, transparent glass and perfected the technique called millefiori — “1,000 flowers” — in which layers of colored glass evoke a many-colored bouquet.

Read more on Seattle Times

Left behind were bronze, silver and gold jewelry, and many millefiori glass beads and Roman coins.

Read more on New York Times

Venera Finocchiaro, a ceramicist who taught in Rome, came to instruct the local women, who helped produce the elaborate tilework that now covers the sculptures in every imaginable style: crackled glazes, Murano glass, millefiori details, red protrusions like devil’s horns or chili peppers.

Read more on The New Yorker

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