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Neo-Latin

American  
[nee-oh-lat-n] / ˌni oʊˈlæt n /

adjective

  1. romance.

Neo-Latin British  
/ ˌniːəʊˈlætɪn /

noun

  1. another term for New Latin

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

adjective

  1. denoting or relating to New Latin

  2. denoting or relating to language that developed from Latin; Romance

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of Neo-Latin

First recorded in 1840–50

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Leaving out of consideration the smaller ingredients, we find, on comparing the Teutonic with the Latin, or Neo-Latin or Norman elements in English, that the latter have a decided majority over the home-grown Saxon terms.

From Lectures on The Science of Language by Max Müller

Arabic metre so far resembles that of Greece and Rome that the value of syllables depends upon the "quantity" or position of their consonants, not upon accent as in English and the Neo-Latin tongues.

From The Book of the Thousand Nights and a Night — Volume 10 by Sir Richard Francis Burton

All authors and notable partisans of Neo-Latin universal languages shall meet in a special academy, which will elaborate a compromise-language.

From International Language Past, Present and Future: With Specimens of Esperanto and Grammar by Walter John Clark

These have been grouped together by certain adversaries as "Neo-Roman"; but their partisans seem to prefer the collective term "Neo-Latin."

From International Language Past, Present and Future: With Specimens of Esperanto and Grammar by Walter John Clark

Neo-Latin literature dwindled away to nothing, and Palladio was followed by the violent reactionaries of the barocco mannerism.

From Renaissance in Italy Volume 3 The Fine Arts by John Addington Symonds

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