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objectivist

[uhb-jek-tiv-ist]

adjective

  1. Psychology.,  concerned with those elements of cognition that are external or observable.

  2. Philosophy.,  viewing moral principles as objective or independent of human thought and therefore universal.

  3. Philosophy.,  relating or subscribing to the philosophy of individualism and free-market capitalism as articulated by Ayn Rand.

  4. Literature.,  relating to a 20th-century movement in poetry, influenced by modernism and imagism, that emphasized the poem as a structurally coherent whole and the direct expression of the poet.



noun

  1. Psychology.,  a psychologist who emphasizes those elements of cognition that are external or observable.

  2. Philosophy.,  a person who views moral principles as objective or independent of human thought and therefore universal.

  3. Philosophy.,  a person who subscribes to the philosophy of individualism and free-market capitalism as articulated by Ayn Rand.

  4. Literature.,  a poet belonging to a 20th-century movement in poetry, influenced by modernism and imagism, that emphasized the poem as a structurally coherent whole and the direct expression of the poet.

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

For many artists after 1945, the objectivist, photographic rationalism advocated by Benjamin is the only truly moral art after Nazism.

Read more on The Guardian

As University of Pennsylvania psychologist Geoffrey P. Goodwin once put it, people who hold an objectivist view tend to respond in a more “closed” fashion.

Read more on Scientific American

A fan of the “objectivist” novelist Ayn Rand, he showed little interest in journalism or the causes of the day.

Read more on New York Times

In one of them, participants were led to think about morality in either relativist or objectivist terms.

Read more on Scientific American

It showcases her morbid sensibility and her talent for writing lyrics that are as taut and imagistic as an objectivist poem.

Read more on The New Yorker

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