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overdub

American  
[oh-ver-duhb, oh-ver-duhb] / ˌoʊ vərˈdʌb, ˈoʊ vərˌdʌb /

verb (used without object)

overdubbed, overdubbing
  1. to add other recorded sound or music, as a supplementary instrumental or vocal track, to a taped musical track to complete or enhance a recording.


verb (used with object)

overdubbed, overdubbing
  1. to add (a track or tracks) to a musical recording.

noun

  1. a recorded segment or layer of instrumental parts, vocalization, or sound effects integrated into a musical recording.

overdub British  

verb

  1. to add (new sound) on a spare track or tracks

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

noun

  1. the addition of new sound to a recording; the blending of various layers of sound in one recording

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of overdub

First recorded in 1965–70; over- + dub 4

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

With nary an overdub in earshot, the song takes on the raw sheen of its rock ‘n’ roll origins.

From Salon • Feb. 2, 2024

“You can always overdub or do it again, but you can never do a first take twice,” says Bolas, who has worked with Young since the mid-1980s.

From Washington Post • Dec. 8, 2021

For the title track, “I was free to play my leads without having to overdub them later,” explains Krieger.

From Los Angeles Times • Dec. 6, 2021

The emotion of the character is still present and the end results are definitely more believable than a traditional overdub because the movement of the mouth is synchronized to the new dialogue.

From The Verge • Sep. 21, 2021

Sometimes, Afro-Latin percussionists join in; elsewhere, Sands douses his piano with an overdub of churchy organ.

From New York Times • Oct. 25, 2018

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