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pointillism

[pwan-tl-iz-uhm, -tee-iz-, poin-tl-iz-]

noun

(sometimes initial capital letter)
  1. a theory and technique developed by the neo-impressionists, based on the principle that juxtaposed dots of pure color, as blue and yellow, are optically mixed into the resulting hue, as green, by the viewer.



pointillism

/ -tiːˌɪzəm, ˈpwæntɪˌlɪzəm, ˈpɔɪn- /

noun

  1. Also called: divisionismthe technique of painting elaborated from impressionism, in which dots of unmixed colour are juxtaposed on a white ground so that from a distance they fuse in the viewer's eye into appropriate intermediate tones

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012
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Other Word Forms

  • pointillist noun
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Word History and Origins

Origin of pointillism1

1900–05; < French pointillisme, equivalent to pointill ( er ) to mark with points + -isme -ism
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Word History and Origins

Origin of pointillism1

C19: from French, from pointiller to mark with tiny dots, from pointille little point, from Italian puntiglio, from punto point
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

In these landscapes, naturalism and abstraction often battle to a pulsating draw by means of a magnified, or coarsened pointillism that recalls Seurat in its mosaic-like array of dots, dashes and commas.

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The paintings, done in a pointillism style, shimmered with the high-contrast pop of a flash photo or an instant Polaroid.

Read more on Washington Post

In “Colors of Summer,” Stream captures the avian residents of our region with pointillism and symbolism, drawing on his Sun’Aq Aleut ancestry.

Read more on Seattle Times

Your notes at the end of the novel mention your method of “narrative pointillism.“

Read more on Los Angeles Times

Larrimore remixes half a dozen French painting styles, chiefly pointillism, to make her otherworldly garden scenes.

Read more on New York Times

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