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popera

/ ˈpɒprə, ˈpɒpərə /

noun

  1. music drawing on opera or classical music and aiming for popular appeal

“Collins English Dictionary — Complete & Unabridged” 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012


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Word History and Origins

Origin of popera1

C20: from pop ² (sense 1) + opera
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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

At the outset of his career in 1998, his unique genre of songwriting was dubbed “popera” by a family friend — and his music does somehow encompass the catchy tune and the irrepressible rhythm of great pop within complex classical chord sequences and a Verdi-sized ambition.

Read more on Los Angeles Times

It’s weird to hear this youthful gay icon — the Canadian American wunderkind who broke onto the scene in 1998 as the musical love child of Harry Nilsson and Franz Schubert, introducing an elegant style that a family friend dubbed “popera”; whose haunting cover of Cohen’s “Hallelujah” transcended its initial home on the “Shrek” soundtrack; who Elton John called “the best songwriter on the planet” — bemoaning his old age.

Read more on Washington Post

Miller-Heidke's song, Zero Gravity, infuses operatic style with a pop beat - some are calling it "popera" - but covers a dark subject: her post-natal depression after giving birth to son Ernie in 2016.

Read more on BBC

“Christmas Together” keeps the pealing prettiness and classical mash-ups, but in much larger formal arrangements that usually turn toward popera.

Read more on New York Times

A virtuous maiden driven to murder and stalked through the night by a vengeful army, maternal love in extremis, a demon ghost and a handsome hero who, believing his One True Love is gone, has Married Another — these are just some of the elements that inform the locomotive plot of “Miss Saigon,” a creation of those mavens of grand popera Alain Boublil and Claude-Michel Schönberg.

Read more on New York Times

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