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portamento

American  
[pawr-tuh-men-toh, pohr-, pawr-tah-men-taw] / ˌpɔr təˈmɛn toʊ, ˌpoʊr-, ˌpɔr tɑˈmɛn tɔ /

noun

Music.

plural

portamenti, portamentos
  1. a passing or gliding from one pitch or tone to another with a smooth progression.


portamento British  
/ ˌpɔːtəˈmɛntəʊ /

noun

  1. music a smooth slide from one note to another in which intervening notes are not separately discernible Compare glissando

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of portamento

1765–75; < Italian: fingering, literally, a bearing, carrying. See port 5, -ment

Compare meaning

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Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

Treating the solo part as something in a Romantic-era concerto of yore, she was all sentiment all the time, including lots of emotive vibrato and startling portamento leaps in the slow movements.

From Los Angeles Times

The recordings he made with the Vienna Philharmonic then, with their portamento and their way of easing lyrically into the beat, have a tragic quality, and some of them — a mournful Brahms First; the turbulent Mahler Ninth captured live weeks before the Anschluss in 1938 — seem understandably burdened with the outside world.

From New York Times

Figure 1.87: The notation for scoops and fall-offs has not been standardized, but either one will look something like a portamento or slur with a note on one end only.

From Literature

Alongside Weinrib at his drum kit, some crying alto sax figures from Noah Becker inspired beautiful portamento lines from Griffin’s viola, as well as the entry of both bassoonists playing brooding long tones at first, before turning to peppery, explosive bursts.

From New York Times

The Cavatina of Opus 130 is steeped in unaffected Old World style, with throaty portamento slides from note to note.

From The New Yorker