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scumble

American  
[skuhm-buhl] / ˈskʌm bəl /

verb (used with object)

scumbled, scumbling
  1. to soften (the color or tone of a painted area) by overlaying parts with opaque or semiopaque color applied thinly and lightly with an almost dry brush.


noun

  1. the act or technique of scumbling.

  2. the effect produced by this technique.

scumble British  
/ ˈskʌmbəl /

verb

  1. (in painting and drawing) to soften or blend (an outline or colour) with an upper coat of opaque colour, applied very thinly

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

noun

  1. the upper layer of colour applied in this way

  2. the technique or effects of scumbling

"Collins English Dictionary — Complete & Unabridged" 2012 Digital Edition © William Collins Sons & Co. Ltd. 1979, 1986 © HarperCollins Publishers 1998, 2000, 2003, 2005, 2006, 2007, 2009, 2012

Etymology

Origin of scumble

1790–1800; perhaps equivalent to scum (v.) + -le, with intrusive b

Example Sentences

Examples are provided to illustrate real-world usage of words in context. Any opinions expressed do not reflect the views of Dictionary.com.

See Examples For:

Up close, you can see how Rembrandt’s application of wet paint over dry creates a texture, or scumble, uncannily close to human skin, with its pores and subcutaneous blood vessels.

From Washington Post

In painting The Birth of the World, 1925, he started with the background, a scumble of brush strokes and hesitations.

From Time Magazine Archive

When doing a portrait, he contrived a pose that suited his view; if hands diverted attention from face, he would magisterially scumble them over, obliterating the knuckles without any sense of embarrassment.

From Time Magazine Archive

A scumble is rubbed on, and is never pure transparent color.

From The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors by Parkhurst, Daniel Burleigh

Too much scumbling will make a picture vague and soft, and after a scumble it is best to paint into it with firm color to avoid this.

From The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors by Parkhurst, Daniel Burleigh

It’s actually a wonderfully scumbled scene of colorful fishing boats perched on the shore waiting for the turbulent sea to calm down.

From Seattle Times Jun. 30, 2021

In a moody, scumbled photograph called “ ‘Erasure’—The Beginning of Conquest and Destruction, Native America Loses the European Cultural Battle,” Cooper shows the beach in Veracruz where Cortés commenced his Aztec campaign.

From The New Yorker Sep. 30, 2019

It is a field of thick, scratched white with a scumbled wedge of red ocher pushing in from the right.

From New York Times Sep. 6, 2018

Like maps made up of scraped and scumbled surfaces, they provide islands of respite from the pyrotechnics that dominate “Wild Thing.”

From Los Angeles Times Jul. 4, 2016

The moon was brilliant, the path a track of scumbled footprints in the snow, the air cutting and cold.

From "The Amber Spyglass" by Philip Pullman

Rubbing out, scraping away, scumbling, glazing, trickling, thinning, he altered the picture according to his idiosyncratic logic.

From New York Times Sep. 2, 2021

Delvin and his kind were merely scumbling through it.

From Washington Post Feb. 2, 2016

The scumbling is incredibly difficult to copy, the different colours peeping through the layers – nightmare.

From The Guardian Jul. 22, 2013

This is called scumbling, and may be considered under the head of solid painting, as it is always done with body, and never with transparent, color.

From The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors by Parkhurst, Daniel Burleigh

Painting.—Of course you can help your color with glazing and scumbling, but work for simplicity first.

From The Painter in Oil A complete treatise on the principles and technique necessary to the painting of pictures in oil colors by Parkhurst, Daniel Burleigh

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